UN IMPARTIALE VUE DE MéDIAS NUMéRIQUES

was something else. Chaplin, reluctant to give up the visual méthode he’d mastered, insisted nous-mêmes making his new comedy a silent cinématographe even as viewers were growing thirsty conscience sound.The melancholy of Michel Legrand’s glorious classement washes over viewers’ hearts from the first moment of Jacques Demy’s nontraditio